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Re: X-Men: Días del futuro pasado (2014) by Bryan Singer
Synch, haz caso a Marty e intenta ver el Rogue Cut. A mi juicio, es una película notablemente mejor, hasta el punto de que me parece estupenda y digna de Singer. No es perfecta, pero mejora mucho. No es simple metraje añadido.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: X-Men: Días del futuro pasado (2014) by Bryan Singer
Yep, intentaré verla!Iniciado por Branagh/Doyle
Synch, haz caso a Marty e intenta ver el Rogue Cut. A mi juicio, es una película notablemente mejor, hasta el punto de que me parece estupenda y digna de Singer. No es perfecta, pero mejora mucho. No es simple metraje añadido.
Con tanto X-Men estos días (acabo de ver la nueva) voy con el subidón. Inclusive busco chicas azules capaces de transmutarse genéticamente
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: X-Men: Días del futuro pasado (2014) by Bryan Singer
Yep, intentaré verla!
Con tanto X-Men estos días (acabo de ver la nueva) voy con el subidón. Inclusive busco chicas azules capaces de transmutarse genéticamente
¡No te compliques, pintamos a Summer Glau de azul y ya!
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: X-Men: Días del futuro pasado (2014) by Bryan Singer
Vale, hombre, ahora voy a estar pensando en eso toda la tarde[/B]
¡No te compliques, pintamos a Summer Glau de azul y ya!
PD:
Spoiler:
Bottom line is, even if you see 'em coming, you're not ready
for the big moments.No one asks for their life to change, not really. But it
does.So what are we, helpless? Puppets? No. The big moments are
gonna come. You can't help that. It's what you do afterwards that
counts. That's when you find out who you are. You'll see what I mean.
Whistler (Buffy The Vampire Slayer - 2x21 Becoming, Part One - Joss Whedon)
Re: X-Men: Días del futuro pasado (2014) by Bryan Singer
Revisiónando el Rogue cut no solo no ha perdido sino que ha ganado con los años.Que buena película y que banda sonora,es muy sólida y es una pena que no continuasen por este camino con el casting original,cuanto potencial perdido.
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