Archives se me escapó, aunque lo vi en FNAC en su momento. Maldita sea.

Dos grandes momentos del Napoleón de Kubrick:

Descripción de la escena de la agonía de Robespierre -que cabrón, que bien escoge los grandes momentos de la época-:

Robespierre lies severely wounded on a conference table,
amid a disarray of papers, surrounded but ignored by his
captors who lounge about, seated on chairs, waiting to be
told what to do next.

Y una para Nacho, imagínate esto con velas:

INT. BARRAS SALON - NIGHT
A large, elegant salon in the house of Paul Barras, in
Paris. There are ten card tables set up in the room,
around which are gathered the elite of the new society;
politicians, immensely rich war contractors, high ranking
army officers and government officials.
Many of the women are extremely beautiful, and display
their breast completely uncovered, in the fashion of the
day.
Napoleon is one of the few guests not playing cards; he
has no money. Ill at ease, he drifts from table to table,
hands clasped behind his back.
Josephine de Beauharnais is the most beautiful of all the
women in the room. Napoleon settles at her table, rocking
slowly on his heels. She plays for very high stakes and
is losing gracefully. She glances up, distracted
momentarily by his rocking, but her look lasts no longer
than the flick of a card.
But Napoleon notices her annoyance and moves off to the
bar, at one end of the room. The bartender, a friendly
creep, stands alone.