Cita:
Music composed and conducted by Jerry Goldsmith, our deluxe edition expands the original release from 9 to a whopping 39 tracks! The album was remastered by Bruce Botnick, Jerry Goldsmith's recording engineer for the original scoring sessions, from the original sources.
Militaristic snare drums, hammering percussion and French horns along with synth percussion puts, staccato use of the piano and keyboard percussion, define Jerry Goldsmith’s score to Stuart Baird’s 1998 action thriller U.S. Marshals.
In the sequel to the 1993 blockbuster The Fugitive, Tommy Lee Jones returns as United States Marshal Sam Gerard: He has been assigned to escort a federal prisoner to a maximum-security prison in Missouri. On the same flight is Mark Sheridan (Wesley Snipes), who has been arrested and charged with the murders of two Federal agents, though he insists he's innocent. The plane is involved in an accident leading to a crash, and after helping to rescue some of the passengers, Sheridan escapes. The State Department informs Gerard that finding Sheridan and putting him back behind bars is a top priority, and Gerard sets out on his trail, with the very much uncalled-for assistance of eccentric FBI agent John Royce (Robert Downey Jr.). However, Gerard soon begins to wonder how Sheridan became such an important man in the eyes of the government, while Sheridan is determined to find out who turned him in to the authorities.
1. The Set Down (1:30)
Cita:
This first-ever soundtrack release for The Big Fix with music by composer Bill Conti!
Newly mixed and mastered in high resolution from the original multi-track scoring masters housed at Universal Studios. This presentation offers far more music than is heard in the film. Conti’s original cues not only offer a glimpse into the evolution of the Big Fix score, but into the versatility which is the hallmark of the composer’s craft. Conti brings out every weapon in his considerable musical arsenal for this soundtrack. Along with distinctive motifs, he energetically celebrates disco and out-and-out jazz, sometimes in one cue (“Moses to Lila’s”). “Hiding the Boys,” which opens as sheer suspense—discordant strings combined with sudden, jolting bursts of percussion—explodes into unalloyed action. Another masterful suspense piece is “Moses Driving Through Town”; here, buzzing guitar, eerie strings and creepy piano runs build to a potent detonation of brass. In short, The Big Fix is a dazzling display of this essential composer’s wide-ranging talents.
Directed by Jeremy Kagan, the movie from 1978 stars Richard Dreyfuss, Susan Anspach and Bonnie Bedelia, and centers on an ex-’60s radical now working as a private eye, who is hired by an old flame to investigate a political smear campaign. The case becomes more dangerous as it unfolds.
Main Title (1:50)
