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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Además calita este proyecto parece a priori mucho más accesible y mainstream que Megalopolis (lo define como comedia dramatica musical), con lo que no creo que tuviese problemas para que Netflix o Apple le financiasen el asunto.
Otra cosa es que esté interesado, claro. Que Coppola quiere un estreno tradicional en salas y toda la pesca.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Sospecho que este proyecto no lo verán los ojos de nadie. Espero errar.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Hombre compañero, si ya está en ello (ha empezado oficialmente con la pre producción), pues a menos que fallezca -Dios no lo quiera- no veo por qué no habría de salir adelante. A finales del año pasado dijo que la rodaría en Londres y ya está viviendo allí.Iniciado por sofocles79
La pelicula que quiere hacer después de esta y antes de retirarse definitivamente, Distant Vision, si que la considero una empresa casi imposible, teniendo en cuenta que Coppola ha comentado que sería aún más cara que Megalopolis. Cuenta la historia de tres generaciones de una familia italioamericana, en paralelo a los cambios que sufrió la industria del cine con el advenimiento de la televisión.
El deseo de Coppola sería rodarla en IMAX, pero tendría que pedir ayuda economica a Lucas si o si para poder sacarla adelante.
Todo esto suponiendo que la salud acompañe, claro.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Coppola (cito literalmente).
It’s as though Noel Coward adapted an Edith Wharton novel in England which is why I’m here in the UK. I’m actually in pre production. I don’t have any money because I invested all the money, that I borrowed, to make Megalopolis. It’s basically gone. I think it’ll come back over 15 or 20 years, but I don’t have it now. So I don’t have any money. I have to do this film very cheap which is what I’m doing. I have already shot some scenes in secrecy. My script is filled with songs from the 1920 and the 1930´s.
The only thing that I have changed from the book is the ending, which in my opinion is very weak.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Siendo astuto Coppola, estrenar en salas una obra financiada por Netflix o Apple, no sería una quimera, como pasó con Roma, o los Asesinos de la luna.
Es decir, pasar a Coppola por salas es un peaje menor y que aporta prestigio a tu producto de streaming.
A Coppola no le haría mal la pasta y, si le sale bien, recuperar audiencia.
Pero...lo dudo.
Mi canal en youtube familiar sobre Hot Wheels
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Completamente de acuerdo. Pero este hombre es muy cabezota.
Igual, cuando la acabe, si les gusta, le hacen una oferta para estrenarla en sus plataformas, con un pase limitado por cines. Eso si lo veo factible.
Última edición por Branagh/Doyle; 07/03/2025 a las 22:06
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Francis Ford Coppola, leyenda viva del cine, ha anunciado que su próximo proyecto, "Glimpses of the Moon", está listo para comenzar a rodarse… salvo por un pequeño detalle: no tiene un euro para financiarlo
Según Coppola, ya ha rodado algunas escenas y tiene el guion completamente terminado, con un nuevo final que corrige el que considera un desenlace débil en la obra original.
Pero aunque la cámara está lista, la cuenta está vacía. El director afirma que esta vez necesita inversores externos para sacar adelante lo que describe como una película “de presupuesto modesto”
Mmm.
Pideselo a Lucas y no me seas cabezota, Francis.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Error. No se trata de este proyecto, sino de Distant Vision.
Última edición por Branagh/Doyle; 04/10/2025 a las 12:38
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Alguno lo quería enterrar, pero tiene más vidas que un gato. Me alegro mucho.
I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.(HUGO)
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Pues si.Alguno lo quería enterrar, pero tiene más vidas que un gato
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Pues me alegra. Además, seguro que las localizaciones son tremendas.
Saludos
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Re: Glimpses of the Moon (Francis Ford Coppola, 2025)
Disculpad por la confusión. No se trata de Glimpses of the Moon sino de Distant Vision.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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