Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
BruceTimm:
I think the biggest problem with the (Mary Shelley´s Frankenstein) reviews was the the critics weren't familiar with the novel, and didn't realize how faithful Branagh's film was to it, in all its weird narrative choices. Aside from one single bold plot change during the finale (which I think works quite well), it's incredibly close to the book.
However, it's nothing like the older movies, which are really nothing like the book. I think critics expected something like the old black-and-white film, and were shocked by what they got, without realizing they were getting the novel, almost word-for-word.
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
¿Sabíais que la BBC le encargó a Branagh en 1992, la producción de una versión radiofónica de Hamlet?. Le dio libertad completa para proceder como considerase. Y este es el resultado. La dejó aquí para quién domine el inglés y/o esté completamente familiarizado con la obra y tenga interés.
BBC Radio 3, 26 April 1992
Based on the First Folio, with additions and amendments from the Second Quarto.
Directed by Kenneth Branagh
El reparto:
Hamlet: Kenneth Branagh
Claudius: Derek Jacobi
Gertrude: Judi Dench
Polonius: Richard Briers
Horatio: Michael Williams
Ophelia: Sophie Thompson
Laertes: James Wilby
First Gravedigger: Michael Elphick
Player King: Michael Hordern
Player Queen: Emma Thompson
Ghost: John Gielgud
Rosencrantz: Gerard Horan
Guildenstern: Christopher Ravenscroft
Osric: Richard Clifford
Fortinbras: James Simmons
Barnardo: Paul Gregory
Francesco: Alex Lowe
Marcellus: Andrew Jarvis
Second Gravedigger: Mark Hadfield
Voltemand: Shaun Prendergast
Gentlewoman: Abigail Reynolds
"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas
Charrán
Del ár. hisp. *šarrál 'vendedor de jureles'.
1. adj. Persona poco fiable, aprovechada o que actúa con picardía o engaño. Sinvergüenza, caradura o estafador.
2. adj. coloq. Dicho de una persona: Que se comporta de forma similar o que evoca al cineasta James Gunn.
Buen reparto de voces.
Saludos
Q: "I'm your new quartermaster"
007: "You must be joking"
_______________________
CLAUDIO: "Lady, as you are mine, I am yours"
_______________________
EISENSTEIN: "I'm a boxer for the freedom of the cinematic expression" -"I'm a scientific dilettante with encyclopedic interests"
Esto si que es humor británico. Judi Dench (viuda de Michael Williams, que figura aquí) Derek Jacobi, Sir John Gielgud, Emma Thompson, su hermana Sophie Thompson (que también es actriz, lo que pasa es que optó por no abandonar nunca el mundo del teatro, en el que se siente muy cómoda). Hasta la pareja de Derek Jacobi desde hace 60 años esta ahí, Richard Clifford.
Si, definitivamente es un "buen" reparto.![]()
. Quizá demasiado nepotista, como se le suele achacar desde siempre a Branagh. Todos amigos suyos, mentores, conocidos y/o miembros de su compañia teatral. Y esto mismo lo hace en sus películas también.
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"Personally, I think that as long as the artist can continue to have the enthusiasm to refine the work, they should do it. But I don't think that studios or other people should be allowed to go and tamper with something just because they want to put it on television, or they want to take it from black and white to color, or they want to have a more contemporary score on it."
George Lucas