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Re: The Batman 2 (Matt Reeves, 202X)
Es que Waititi plagia sin rubor. Un día pretende ser Wes Anderson, otro un rollo a lo ZAZ, y sin una pizca de su talento.
Última edición por Don; 14/05/2025 a las 22:00
Re: The Batman 2 (Matt Reeves, 202X)
Hilo equivocado.
Última edición por Branagh/Doyle; 14/05/2025 a las 21:53
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: The Batman 2 (Matt Reeves, 202X)
Waititi y Gunn a los de la banda del puro:
“Pasaos por algún rodaje, que necesitamos becarios e igual metéis cabeza”
Re: The Batman 2 (Matt Reeves, 202X)
https://www.worldofreel.com/blog/2025/5/16/matt-reeves
Cada día una versión diferente, aquí no hay quién entienda nada.
Re: The Batman 2 (Matt Reeves, 202X)
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: The Batman 2 (Matt Reeves, 202X)
Que dice James Gunn que dejemos de dar el coñazo con la entega del guión de The Batman 2. Estará listo cuando este listo y ya está, cojones.
Also, a lot of people, I'm sure, are blowing you up on social media, probably in person too, about the state of The Batman Part II.
Listen, we're supposed to get a script in June. I hope that happens. We feel really good about it. Matt's excited. I talk to Matt all the time. I'm totally excited about it. So we can't wait to read the scripts, but we haven't read it yet, if that's your question. People should get off Matt's nuts because it's like, let the guy write the screenplay in the amount of time he needs to write it. That's just the way it is. He doesn't owe you something because you like his movie. I mean, you like his movie because of Matt. So let Matt do things the way he does.
It sort of relates to one of the first questions I asked you, which is your relationship to social media. I can't imagine being in Matt's position, having to write a script while also being hounded on social media for updates.
Well, I don't think Matt really pays attention to that stuff so much. He's got a lot of other things happening, so I don't think he lets it affect him. He's fine. But I am irritated by people. I mean, it's just that thing people don't need to be entitled about. It's going to come out when he feels good about the screenplay. And Matt's not going to give me the screenplay until he feels good about the screenplay.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
Re: The Batman 2 (Matt Reeves, 202X)
En pocas palabras, "ya no me estén chingando, aquí el toca narices soy soy, ya sabré cuando decirles, faltaba más "
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