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Re: La odisea (The Odyssey, 2026, Christopher Nolan)
La traducción de Wilson, por lo que he podido ojear por encima tras leer a Mandaraka, no es una traducción. Es un delirio demencial que se inventa cosas descaradamente.
What makes Megalopolis so strange and, for a big-budget Hollywood film, so singular, is that, just like Vergil’s Aeneid, it is at once accretive, allusive, and idiosyncratic because Coppola is attempting something very few artists have ever done: to speak from inside the imperial organism, even as it begins to crack, and to craft a vision that is both a monument to its grandeur and a requiem for its decline.
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